Wir führen unsere Reise mit zwei italienischen Polizeifilmen fort und es handelt sich um ausgesprochene Perlen des Genres. Zum einen haben wir da „Der unerbittliche Vollstrecker“ aka La Polizia sta a guadare aka Ransom! police is watching aka The great Kidnapping von Roberto Infascelli mit der Traumbesetzung Enrico María Salerno und Lee J Cobb! Weiters wirken Jean Sorel, Laura Belli und Luciana Paluzzi mit sowie viele bekannte Gesichter des Genres. Veredelt wird der Film mit einem Score von einem musikalischen Meister dieses Filmgenres, Stelvio Cipriani.
Zum anderen begeben wir uns nach Bari, Apulien - „Die Killer der Apocalypse“ aka La legge violenta della Squadra Anticrimine aka Cross Shot von Polizeifilm Spezialist Stelvio Massi. Auch hier eine imposante Besetzung mit John Saxon, Lee J Cobb, Renzo Palmer, Lino Cappolicchio, sowie Thomas Hunter.
Beide Filme wurden mit Bonusmaterial von Mike Malloy ausgestattet, dem Macher von Eurocrime! Bei „Der unerbittliche Vollstrecker“ gibt es ein Featurette über Lee J Cobb über seine Zeit speziell in Italien. Bei „Die Killer der Apocalypse“ gibt es ein informatives Interview mit John Saxon über seine Abenteuer in Italien.
Beide sind wie gewohnt mit dem Score ausgestattet.
Alle Details hier. Die Auflagen setzen sich wie folgt zusammen.
Der unerbittliche Vollstrecker (CP 12)
Cover A - Italienisches Plakat A - 250
Cover B - Italienisches Plakat B - 250
Cover C - deutsches VHS Cover - 250
Cover D - französisches Plakat (mit deutschem Titel) - 250
Cover E - finnisches VHS Cover (mit deutschem Titel) - 150
Die Killer der Apocalypse (CP 13)
Cover A - Italienisches Plakat A - 250
Cover B - Italienisches Plakat B - 250
Cover C - deutsches VHS Cover - 350
Cover D - italienisches Soggettone - 250
Veröffentlichungstermin ist der 4. Februar 2022.
We continue our journey with two Italian police films and they are downright gems of the genre. On the one hand we have Ransom! Police is watching aka The great Kidnapping aka La Polizia sta a guadare aka Der unerbittli he Vollstrecker by Roberto Infascelli with the dream cast Enrico María Salerno and Lee J Cobb! Jean Sorel, Laura Belli and Luciana Paluzzi are also in the cast, as well as many familiar faces of the genre. The film is enhanced with a score by a musical master of this film genre, Stelvio Cipriani.
Secondly, we go to Bari, Apulia - Cross Shot aka La legge violenta della Squadra Anticrimine aka Die Killer der Apocalypse by police film specialist Stelvio Massi. Again an impressive cast with John Saxon, Lee J Cobb, Renzo Palmer, Lino Cappolicchio as well as Thomas Hunter.
Both films are equipped with bonus material by Mike Malloy, the maker of Eurocrime! On Ransom! Police is watching there is a featurette on Lee J Cobb about his time specifically in Italy. On Cross Shot there is an informative interview with John Saxon about his adventures in Italy.
Both feature the score as usual.
All the details here. The editions are made up as follows.
Ransom! police is watching (CP 12)
Cover A - Italian Locandia A - 250
Cover B - Italian Manifesto B - 250
Cover C - German VHS sleeve - 250
Cover D - French Poster (with German Title) - 250
Cover E - Finnish VHS sleeve (with German Title) - 150
Running time: 1:34:53 Minuten
Format : 2.35:1, 1080p
Sound: DTS-HD 2.0
Audio: German, Italian, English
Subtitles: German, English
Cross Shot (CP 13)
Cover A - Italian Locandia A - 250
Cover B - Italian Locandia B - 250
Cover C - German VHS sleeve - 350
Cover D - Italian Soggettone - 250
Running time: 1:30:20 minutes
Format: 1:85:1, 1080p
Sound: DTS-HD 2.0
Audio: German, Italian, English
Subtitles: English, german
Releasedate is February 4th 2022.
We have 4 older Titles of our Catalogue as small Hardbook Editions in stock now.
LA POLIZIA HA LE MANI LEGATE aka KILLER COP (CP 01)
Italian Poster Art 200 copies
German VHS Art 150 copies
LIBERI ARMATI PERICOLOSI aka DIRTY DEVILS (CP 03)
Italian Poster Art 150 copies
German VHS Art 120 copies
…E TANTA PAURA aka MAGNUM 45 (CP 04)
German VHS Art 250 copies
All handnumbered and gorgeous looking! Kind of same size than our Mediabooks but more slim. All products Details please see at product itself.
LAWA
The Parallax View
CINEPLOIT
9/10
SOMETHING NEW WITH SYNTH: There is a ridiculous amount of retro inspired synth based and synthwave artists out there, perhaps too many to count, but the cream does rise to the top.
Case in point? LAWA, and their latest effort for the always reliable Cineploit Records, The Parallax View. The album takes its name from the classic paranoid political thriller from the 1970s and dives head first into some classic movie themes from the world of international genre cinema. LAWA itself is an acronym for its two members, Leonard Alain and Wank Alex, who have recorded musical tributes to specific composers in the past, such as Riz Ortolani, but this album stretches things a bit and runs the gamut with regards to style.
Sci-fi, giallo, horror, action, and good ol’ exploitation films all get the LAWA treatment here, which means that they get sliced, diced, and put into a pot of gooey synth excellence. They then emerge with fresh arrangements by Alain and Wank, giving them a taste that still evokes memories of their original cinematic flavor but with a bright spice that’s flavored by the duo’s seemingly boundless creativity.
The opening cut from Sergio Martino’s film 2019: After the Fall of New York retains that catchy, brassy refrain from composers Guido and Maurizio de Angelis, but LAWA makes it sound thicker and creepier. Yours truly actually wasn’t familiar with Jacques Revaux’s score to the 80s action flick Asphalt Warriors, but LAWA’s take on the hard driving theme makes me want to investigate further, while their chopping up of Ennio Morricone’s Revolver and Alessandro Alessandroni’s Killer Nun sound suitably twisted and unsettling.
Speaking of twisted, their post-punk PiL take on the 1976 giallo Plot of Fear is all fuzz, blown out speakers, and fucking glory, while their version of Nico Catanese’s Satan’s Baby Doll retains all of the original’s softcore Euro sleaze. There’s one original cut on here, the title track, and although the cover material is certainly appreciated, LAWA’s creative skill certainly demands a full-length of new material. “The Parallax View” is tense and anxiety inducing with driving percussion that one imagines is trying to replicate the film’s obscene paranoia. It kills.
Cineploit has made a its mark for a while now as a label with one of the most trustworthy roster of artists out there. You’re likely to strike gold even if you’ve never heard of the artist in question. That’s definitely the case here for anyone out there who hasn’t yet checked out anything from LAWA. Consider this one with a very high recommendation. ~ George Pacheco
Alain Leonard and Alex Wank aka LAWA are Viennas resident specialists in re-activating, recycling and reconstructing cult European Soundtrack Themes and this, their third album, follows Omaggio a Frizzi & Fulci (2012) and Omaggio a Riz Ortolani (2015) with an exploration of sounds from the outer limits of Italian and French Cinema of the 70´ s and 80 ´ s.
Employing a dark, brooding and deeply atmospheric electronic palette with occasional detectable echoes of Goblin and John Carpenter. LAWA bring their chosen Themes to life in a new and challenging way while remaining true to the spirit to the originals, wether they be the work of G & M de Angelis (After the Fall of New York), Alessandro Alessandroni (Killer Nun), Michel Legrand (The Outside Man) or Ennio Morricone (Revolver). Challenging and endlessly inventive, this is as rewarding a Programme of futuristic re-visitations, re-inventions an re-imaginings of a select Playlist of cult Euro soundtracks as you could hope to encounter.
Grahame Bent for SHINDIG! Magazin Februar 2021 * 4 Stars of 4
The next films will be
SQUADRA ANTISCIPPO aka DIE BULLEN AUF DEN HEIßEN FEUERSTÜHLEN aka THE COP IN BLUE JEANS (CP 07)
TECNICA DI UN OMICIDIO aka ICH HEIßE JOHN HARRIS aka HIRED KILLER (CP 08)
Both releases are coming as Mediabook Bluray, 28 pages booklet + double sided Poster.
Release Date following soon!
